We wish to share the unique vision of Peter as artist with as many as possible.
Josie Pollentine
Archives & testimonies
The site as a poetic archive
Beyond displaying the works, the project carries a documentary memory made of book extracts, photographs, criticism, close voices and working traces.
The elements presented here condense the main document types described in the brief. They show how Peter Goode's work was preserved, looked at, commented on and transmitted.
Book extract
Josie Pollentine's introduction
The opening text of The Moon on the Window / The Sun on the Canvas, where Josie recalls her companionship with Peter and the wish to share his vision widely.
Archive photograph
Brian Taylor and the photographic record
A major part of the visual documentation comes from photographs made by Brian Taylor during exhibitions and public presentations.
Testimony
Family voices
Accounts from Peter's children describe the ways he concealed his inability to read, his practical intelligence and the importance he placed on education.
Critical document
Amanda Ravetz, Gillian Frost, Michael Ann Mullen
The project gathers multiple forms of attention: film, professional photography, criticism, educational context and long companionship.
Exhibition caption
All life lives on a leaf
Exhibition captions often stand in for titles and micro-poems. They link the image directly to a mobile, suggestive language.
Photographic archive
Sculptures, carvings, installations
The sculpture photos remind us that part of Peter's work circulated outside institutions, through festivals, trails and local presentations.
No document matches your search on this page.